original art
Original art
In the Scaled Agile Framework, the Agile Release Train provides a structure for aligning teams around a common mission. It provides a rhythm for delivering value to the market, and a means of managing dependencies between teams https://voltage-bet.info/. It also provides a platform for integrating the work of multiple teams into a single, coherent product or solution.
Finally, an inspect and adapt (I&A) event is another way of indicating having regular in-team demos of work in progress to ensure that the quality of the work is maintained and that the deliverable will meet the company’s high standards.
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Faster time-to-market also improves return on investment. By delivering value more quickly, organizations can start realizing the benefits of their investment sooner. This can improve the financial performance of the organization, and it can increase stakeholder satisfaction.
Cinematic artwork
Vittorio Storaro—the man responsible for the look of Apocalypse Now (1979), The Conformist (1970), Last Tango in Paris (1972), Reds (1981), and Dick Tracy (1990)—is both one of the most painterly cinematographers and one of the least. He’s also been called the greatest cinematographer, period: the artist-cum-scientist who made cinematography a full-fledged, codified art form. “When people tell me I am a painter of light,” he said in a 2012 interview, “I say that I am not, because a painter expresses himself in just one single image.” When he published his magisterial, three-volume treatise on cinematography, he saw fit to title it—as if to spite Antonioni—Writing With Light.
This 1986 classic provides quite a different museum scene. During their self-inaugurated day off, Ferris, Cameron and Sloane head to the Art Institute of Chicago. Across a few shots, the museum’s extensive collection is seen on screen. Soon, the characters themselves become art-like, posing in perfect alignment with the rules of perspective.
For his first feature, the great Danish filmmaker Carl Theodore Dreyer adapts a novel (Der Präsident, by Karl Emil Franzos). Dreyer’s obsession with staging details would become a staple within his films.
With his camera patiently lingering on the composition, actors and sets are arranged within spartan, yet carefully composed scenes. Dreyer intentionally used his sets to convey the dispositions and emotions of his characters, rather than relying entirely on the performances of the actors themselves. In his letter to film critic Erik Ulrichsen, the director stated,
Akira Kurosawa’s ‘Dreams’ brings Vincent van Gogh’s ‘Wheatfield with Crows’ to life. The film captures the emotional turbulence of Van Gogh’s painting, creating a visual homage that resonates with the artist’s troubled genius.
Cover image
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Yes, the AI-generated cover photos created using Venngage’s tools are copyright-free. You can use them for both personal and commercial purposes without any restrictions on copyright. However, it’s always good practice to ensure that any externally sourced content you include is also cleared for use.
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Whether you’re updating a Facebook page or personal profile, a professional cover will help you stand out. And thanks to the Desygner app, you can create your cover the moment inspiration strikes. Snap a photo, open the app, upload the file and start designing.
Classic artwork
The Ambassadors by Hans Holbein the Younger portrays two educated, powerful, and wealthy young men. On the left is French ambassador Jean de Dinteville and on the right is his friend Georges de Selve, the bishop of Lavaur.
Have you ever found yourself thinking about which paintings stand out as the most famous throughout history? Ranking all paintings ever created is a tough task due to the enduring significance of painting as an ancient art form, especially considering the rise of competing mediums like photography and digital art. However, within this vast artistic landscape, certain paintings emerge as timeless masterpieces, instantly recognizable to the public and resilient in their endurance.
An iconic depiction of urban isolation, Nighthawks depicts a quarter of characters at night inside a greasy spoon with an expansive wraparound window that almost takes up the entire facade of the diner. Its brightly lit interior—the only source of illumination for the scene—floods the sidewalk and the surrounding buildings, which are otherwise dark. The restaurant’s glass exterior creates a display-case effect that heightens the sense that the subjects (three customers and a counterman) are alone together. It’s a study of alienation as the figures studiously ignore each other while losing themselves in a state of reverie or exhaustion. The diner was based on a long-demolished one in Hopper’s Greenwich Village neighborhood, and some art historians have suggested that the painting as a whole may have been inspired by Vincent van Gogh’s Café Terrace at Night, which was on exhibit at a gallery Hopper frequented at same time he painted Nighthawks Also of note: The redheaded woman on the far right is the artist’s wife Jo, who frequently modeled for him.
Bruegel’s fanfare for the common man is considered one of the defining works of Western art. This composition was one of six created on the theme of the seasons. The time is probably early September. A group of peasants on the left cut and bundle ripened wheat, while the on the right, another group takes their midday meal. One figure is sacked out under a tree with his pants unbuttoned. This attention to detail continues throughout the painting as a procession of ever-granular observations receding into space. It was extraordinary for a time when landscapes served mostly as backdrops for religious paintings.
The ur-canvas of 20th-century art, Les Demoiselles d’Avignon ushered in the modern era by decisively breaking with the representational tradition of Western painting, incorporating allusions to the African masks that Picasso had seen in Paris’s ethnographic museum at the Palais du Trocadro. Its compositional DNA also includes El Greco’s The Vision of Saint John (1608–14), now hanging in the Metropolitan Museum of Art. The women being depicted are actually prostitutes in a brothel in the artist’s native Barcelona.
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